Teleological argument: Eduqas B grade notes

Eduqas
Philosophy

For AO1 you need to know:

  • Aquinas’ 5th way
  • Paley’s design argument
  • Tennant’s anthropic and aesthetic arguments
  • Hume’s criticisms
  • Alternative scientific explanations e.g. evolution

For AO2 you need to be able to debate:

  • Whether inductive arguments for God are persuasive
  • The effectiveness of the teleological argument for God’s existence
  • Whether teleological arguments for God are persuasive in the 21st century
  • The effectiveness of the challenges to the teleological argument
  • Whether scientific explanations are more persuasive than philosophical explanations for the universe’s existence

AO1: Aquinas’ 5th way

  • Thomas Aquinas’ 5th Way is an a posteriori argument based on observation of the natural world.
  • Aquinas argues that objects do not behave randomly but move towards goals or purposes (telos).
  • He says things act “always, or nearly always” in the same way to achieve the best result.

  • We can see this in nature.
  • Flowers turn towards the sun, acorns grow into oak trees, and planets move in regular orbits.
  • These patterns show order and regularity rather than chance.
  • So the world appears to be goal-directed.

  • However, these objects are not intelligent.
  • They cannot understand or choose their own goals.
  • Aquinas argues that something without intelligence cannot direct itself towards a purpose.
  • So it must be guided by something that does have intelligence.

  • He uses the analogy of an arrow.
  • An arrow hits a target, but only because an archer directs it.
  • The arrow itself does not know what it is doing.

  • In the same way, Aquinas argues that God directs the natural world.
  • God creates natural laws that guide objects towards their purposes.
  • Just as an archer directs an arrow, God directs the universe.

  • So the order in nature suggests there must be an intelligent designer, which Aquinas calls God.
  • The argument is inductive and part of natural theology, showing how observation can support belief in God.

AO1: William Paley’s design argument

  • William Paley’s design argument claims that complexity and purpose in nature are best explained by a designer.
  • It is an a posteriori argument based on observation.

  • Paley uses the example of a watch.
  • If you found a rock on a heath, you might think it had always been there.
  • But if you found a watch, you would assume it was designed.
  • This is because its parts are arranged in a complex way to tell the time.
  • It has complexity directed towards a purpose.

  • If the parts were different in shape or arrangement, it would not work.
  • So it could not have come about by chance.
  • It must have been made by a designer.

  • Paley says the same reasoning applies to the natural world.
  • Objects such as the human eye, wings of birds, and fins of fish are complex and perform specific functions like seeing, flying, and swimming.
  • These show the same features of complexity and purpose as the watch.
  • Therefore, the universe must also have a designer.
  • This designer must have a mind, because design involves planning and knowledge.

  • The argument is inductive, using what we observe as evidence for a conclusion.
  • Paley is part of natural theology, aiming to support belief in a higher power rather than prove the Christian God.
  • The watch example is best understood as an illustration of how complexity and purpose point to design.

AO1: F. R. Tennent’s aesthetic argument

  • F. R. Tennant argues that human appreciation of beauty supports belief in God.
  • He accepts evolution, but thinks aesthetic awareness fits better with theism.
  • Humans can appreciate beauty in nature, art, and music.
  • This ability seems to go beyond what is needed for survival.

  • Natural selection only explains traits that help survival.
  • But we do not need to enjoy beauty in order to live or reproduce.
  • So it is unclear how aesthetic awareness developed through evolution.
  • Tennant suggests this points to design.

  • He also argues that beauty is common in the world.
  • Humans are able to recognise and respond to it.
  • This suggests the universe supports not just life, but also value.

  • For Tennant, this shows the world is not just mechanical.
  • It appears designed to produce beings who can appreciate beauty.
  • So aesthetic experience is evidence for a purposeful universe.

AO1: F. R. Tennent’s anthropic argument 

  • F. R. Tennant develops the design argument in response to evolution.
  • He argues that evolution still requires a very specific type of universe, which suggests design.
  • So evolution can support the design argument rather than weaken it.
  • Tennant calls this an anthropic argument, because it focuses on conditions that allow human life.

  • First, the universe is ordered and understandable.
  • Natural laws are stable and allow science to work.
  • There is no reason why the universe had to be like this.

  • Second, Tennant points to fine-tuning.
  • Life depends on precise physical conditions, such as gravity and other forces.
  • If these were slightly different, life would not exist.
  • This suggests the universe is set up for life.

  • Third, evolution shows a movement towards complexity and consciousness.
  • There is no guarantee this would happen, so it may point to design.

  • Tennant concludes that these points together suggest the universe is designed to produce human life.

AO2: The validity of analogy 

  • Swinburne argues analogy is a valid way of reasoning.
  • If something is similar to something else, we can infer a similar cause.
  • Design arguments use this by comparing nature to human creations.
  • So it is reasonable to infer a designer.

Counter

  • Hume argues similar things can have different causes.
  • For example, different processes can produce the same effect.
  • He also says the universe is not very similar to a machine.
  • So the analogy is weak and unreliable.

Evaluation

  • Hume’s criticism is not decisive.
  • Paley’s argument can be understood as focusing on complexity and purpose, not just analogy.
  • The watch example is mainly an illustration.
  • This avoids the problem of weak comparison.
  • Aquinas’ arrow example can also be read this way.
  • So the argument does not depend on analogy alone.
  • This means Hume’s objection does not fully undermine the design argument.

AO2: Hume’s critique: God not the only explanation 

  • David Hume argues the design argument cannot prove the Christian God.
  • Other explanations are possible, such as many gods or a limited designer.
  • So even if the argument works, it cannot justify belief in any particular God.

Counter

  • Richard Swinburne argues one God is the simplest explanation.
  • Also, Thomas Aquinas and William Paley never aimed to prove the Christian God.
  • They only aim to show a designer exists, which supports faith.

Evaluation

  • Hume’s criticism is not convincing because it misunderstands the aim of the design argument.
  • Aquinas clearly limits his conclusion to “that thing we call God,” showing it is not meant to prove the Christian God fully.
  • The argument only aims to support belief in a designer.
  • Faith then identifies this as the Christian God.
  • So the limited scope is intentional, not a flaw.
  • Hume therefore attacks a claim the argument does not actually make, so his critique fails.

AO2: The epicurean hypothesis & the multiverse

  • Hume argues that order could arise by chance if the universe were eternal.
  • Given enough time, even unlikely arrangements would happen.
  • The current evidence for the big bang suggests the universe isn’t eternal.
  • But a modern version of Hume’s point would be the multiverse.
  • If every type of universe exists in the multiverse, some will be orderly just by chance.

Counter

  • Defenders of design argue the multiverse has no strong evidence and may not be testable.
  • Swinburne also argues science cannot explain why laws exist at all.
  • So the multiverse does not remove the need for God.

Evaluation

  • Nonetheless, the multiverse is still a strong challenge to the design argument.
  • Even if it is uncertain, it is taken seriously by scientists and cannot be dismissed easily.
  • Hume’s key point is that we only need an alternative competing explanation to God. 
  • We don’t have to prove the epicurean hypothesis or multiverse true.
  • If order can be explained in more than one way, then God is no longer the only explanation.
  • This weakens the argument because it can no longer show that God is the best explanation.
  • So the design argument loses its persuasive force.

AO1: Darwinian evolution vs design

  • William Paley and Thomas Aquinas argue that complexity and purpose show design.
  • Darwinian evolution offers another explanation.
  • There is variation in species, and those better adapted survive and reproduce.
  • They pass on useful traits, which become more common over time.
  • This makes organisms appear designed for survival.
  • Features like instincts and behaviour can be explained by this process.
  • So what Aquinas called a telos can be explained by natural selection.
  • Richard Dawkins argues that complex organs like the eye developed gradually.
  • This creates the appearance of design without a designer.
  • So complexity and purpose can be explained naturally, making a designer unnecessary.

AO2: Hume & Darwin on Design vs the problem of evil

  • Charles Darwin argued that nature contains cruelty, such as parasitic wasps.
  • David Hume uses this to argue that suffering is evidence against a perfect designer.
  • If God designed the world, it should contain less unnecessary suffering.

Counter:

  • Theodicies argue evil is necessary for greater goods.
  • Augustine of Hippo links it to punishment, Alvin Plantinga to free will, and John Hick to soul-making.
  • So God cannot remove evil without losing important goods.

Evaluation:

  • These responses are unconvincing.
  • Natural evil harms innocent beings, so it cannot be justified by free will, punishment or soul-making.
  • So while a perfect God may still be possible, he cannot be inferred from observation.
  • This weakens design arguments, which rely on evidence from the world.
  • If we consider all the evidence, including suffering, the world does not point to a perfect designer.
  • So it cannot be used to support faith in the Christian God, which was Aquinas and Paley’s aim.

AO2: Design arguments after Darwin

  • Tennant and Swinburne argue that design is shown in the laws of nature rather than just in living things.
  • Evolution may explain how organisms develop, but it does not explain why the universe has precise laws that allow life.
  • These conditions seem highly unlikely, so fine-tuning suggests a designer.

Counter

  • This argument assumes the laws of nature could have been different.
  • However, it is possible that they are necessary and could not have been otherwise.
  • Scientists also aim to find deeper explanations of these laws.
  • So fine-tuning may not need God as an explanation.

Evaluation

  • Design arguments still rely heavily on gaps in scientific knowledge.
  • Evolution showed that earlier arguments from complexity were mistaken, and this raises doubts about newer versions too.
  • Just because we do not currently understand something does not mean God is the correct explanation.
  • Science may eventually explain why the laws of nature are as they are.
  • So the argument depends on what we do not yet know, rather than strong positive evidence.
  • This makes it weak, as it assumes God explains what science has not yet explained.