Design argument: Edexcel B grade notes

Edexcel
Philosophy

AO1: Paley’s design qua purpose (watch)

  • William Paley asks us to imagine finding a rock on a heath.
  • The rock could have existed forever, since nothing about it suggests design.
  • But if we found a watch, we would think differently.
  • A watch has complex parts arranged to perform the purpose of telling the time.

  • Paley argues that complexity alone does not show design.
  • For example, sand on a beach can form complex patterns by chance.
  • However, a sandcastle is different because its parts are arranged to serve a purpose.
  • This makes it reasonable to think it was designed.
  • So design is shown when complexity produces a purpose.
  • Paley says this is also seen in nature.
  • The eye, wings, and fins are complex structures that allow seeing, flying, and swimming.
  • So nature appears to be designed.

  • Because nature is greater than human objects, its designer must also be greater.
  • This designer must be a mind that is separate from the world.
  • The argument is inductive and a posteriori, using observation as evidence for the existence of God.

AO1: Swinburne’s anthropic design argument

  • Richard Swinburne develops the design argument by focusing on temporal order.
  • He criticises William Paley’s focus on spatial order, such as the arrangement of parts in a watch.
  • Swinburne argues this is weak because science can explain it, for example through evolution.

  • Instead, he looks at how things behave over time.
  • Objects follow consistent patterns, like atoms behaving the same way over long periods.
  • This shows there are laws of physics.
  • Swinburne argues science cannot explain why these laws exist.
  • It can describe them, but not explain why they are like they are.

  • He then says that minds can create order.
  • Humans create routines and patterns in their behaviour.
  • So minds are known causes of order over time.
  • Therefore, the best explanation of the laws of nature is a mind.
  • Since these laws govern the whole universe, this mind must be God.

AO1: The status as a proof of the design argument

  • Design arguments are a posteriori, meaning they are based on observation of the world.
  • For example, Paley looks at complexity and purpose in nature.
  • They are also inductive, meaning their premises support the conclusion but do not prove it.

  • Inductive arguments are not certain.
  • They show what is most likely based on the evidence we have.
  • They are also defeasible, meaning new evidence could change or weaken them.
  • So they can always be challenged.
  • Design arguments often use analogy.
  • We compare something we cannot explain with something similar we can explain.
  • This helps us suggest a likely cause.
  • Aquinas used these arguments in natural theology.
  • They are not meant to prove the Christian God directly.
  • Instead, they support belief in a designer, making faith more reasonable.

AO2: The validity of analogy 

  • Swinburne argues analogy is a valid way of reasoning.
  • If something is similar to something else, we can infer a similar cause.
  • Design arguments use this by comparing nature to human creations.
  • So it is reasonable to infer a designer.

Counter

  • Hume argues similar things can have different causes.
  • For example, different processes can produce the same effect.
  • He also says the universe is not very similar to a machine.
  • So the analogy is weak and unreliable.

Evaluation

  • Hume’s criticism is not decisive.
  • Paley’s argument can be understood as focusing on complexity and purpose, not just analogy.
  • The watch example is mainly an illustration.
  • This avoids the problem of weak comparison.
  • Aquinas’ arrow example can also be read this way.
  • So the argument does not depend on analogy alone.
  • This means Hume’s objection does not fully undermine the design argument.

AO2: Hume’s critique: God not the only explanation 

  • David Hume argues the design argument cannot prove the Christian God.
  • Other explanations are possible, such as many gods or a limited designer.
  • So even if the argument works, it cannot justify belief in any particular God.

Counter

  • Richard Swinburne argues one God is the simplest explanation.
  • Also, Thomas Aquinas and William Paley never aimed to prove the Christian God.
  • They only aim to show a designer exists, which supports faith.

Evaluation

  • Hume’s criticism is not convincing because it misunderstands the aim of the design argument.
  • Aquinas clearly limits his conclusion to “that thing we call God,” showing it is not meant to prove the Christian God fully.
  • The argument only aims to support belief in a designer.
  • Faith then identifies this as the Christian God.
  • So the limited scope is intentional, not a flaw.
  • Hume therefore attacks a claim the argument does not actually make, so his critique fails.

AO1: Darwinian evolution vs design

  • William Paley and Thomas Aquinas argue that complexity and purpose show design.
  • Darwinian evolution offers another explanation.
  • There is variation in species, and those better adapted survive and reproduce.
  • They pass on useful traits, which become more common over time.
  • This makes organisms appear designed for survival.
  • Features like instincts and behaviour can be explained by this process.
  • So what Aquinas called a telos can be explained by natural selection.
  • Richard Dawkins argues that complex organs like the eye developed gradually.
  • This creates the appearance of design without a designer.
  • So complexity and purpose can be explained naturally, making a designer unnecessary.

AO2: Design arguments after Darwin

  • Tennant and Swinburne argue that design is shown in the laws of nature rather than just in living things.
  • Evolution may explain how organisms develop, but it does not explain why the universe has precise laws that allow life.
  • These conditions seem highly unlikely, so fine-tuning suggests a designer.

Counter

  • This argument assumes the laws of nature could have been different.
  • However, it is possible that they are necessary and could not have been otherwise.
  • Scientists also aim to find deeper explanations of these laws.
  • So fine-tuning may not need God as an explanation.

Evaluation

  • Design arguments still rely heavily on gaps in scientific knowledge.
  • Evolution showed that earlier arguments from complexity were mistaken, and this raises doubts about newer versions too.
  • Just because we do not currently understand something does not mean God is the correct explanation.
  • Science may eventually explain why the laws of nature are as they are.
  • So the argument depends on what we do not yet know, rather than strong positive evidence.
  • This makes it weak, as it assumes God explains what science has not yet explained.

AO1: Strength & weakness of design arguments 

  • The validity of analogy
  • Strength: Analogical reasoning is valid as it’s used by scientists all the time, e.g., to understand an unknown disease from the analogy of its symptoms to a known one.
  • Weakness: Analogical reasoning in design arguments is weak, as similarities in effects do not always imply similar causes.

  • Darwinian evolution
  • Weakness: Darwinian evolution explains the appearance of design in organisms through natural selection, making a designer unnecessary.
  • Strength: Modern developments like fine-tuning shift the focus from animal biology to the order and purpose in the laws of the universe, which evolution cannot explain away.

  • Whether God is the only explanation
  • Weakness: The design argument cannot establish the Christian God, as multiple or limited designers remain equally possible explanations.
  • Strength: Natural theology underpins the design argument, which intentionally limits its conclusion to a generic designer, making belief in God more reasonable without overreaching its evidence.